The beautiful Edward Hopper watercolor at the High Museum of Art in Atlanta was once known as ‘Cape Elizabeth’. However, it was posthumously changed to ‘Foreshore-Two Lights’ (1927). Two Lights is a rocky point with two lighthouses at the tip of Cape Elizabeth peninsula, Maine. So beautiful is it that Jo Hopper wrote about ‘Foreshore-Two Lights’, ‘This one of his best sea pictures [sic], calmly dramatic but making no claims.’
It’s a bare-knuckled, ten hour drive on the interstate from Sarasota to the High Museum of Art in Atlanta. We pass roaring wildfires and navigate snarled traffic. But even that isn’t enough to keep me awake.
An empty Starbucks in the middle of Georgia offers relief in the form of twenty ounces of scalding coffee. My mother offers to drive. But she is uninsured and I am in debt.
She tells bad ‘knock, knock’ jokes until the caffeine kicks in. We finally hit Atlanta in time for a beautiful summer’s dusk.
The Blanton Museum of Art’s Hopper picture, ‘Harbor Shore, Rockland’ (1926) is so obscure that when I first contacted the museum about it they denied its existence.